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I don't like that you automatically assume that the girl on the‑‑or the woman, the young woman on your staff is the person that should go cover gossip girl. And it's frustrating, and I don't like it. I had to fight for it, prove myself in a way that some of my male colleagues did not have to. And it just exemplified that in order to be taken seriously, I had to suck it up and just smile and pretend like I wasn't hearing those things and then try to move on to get the harder news, the more serious story. He said, "Hey, do you have these stripper shoes you can wear while you're doing this story? You can get on the pole and do some, you know, examples of the routine," and I remember thinking you'd never ask any of my male colleagues to do this. Pretty much, every police pursuit you saw in Los Angeles in the late '80s and '90s was my parents, Malibu fires, you name it.Īnd then later on when I was climbing the ladder, I was at a local station here in New York, and‑‑WPIX, and the assignment editor, you know, sent me on a story about pole dancing as exercise, and it was kind of a fad at the time. So they were able to capture things happening, stories breaking in real time, and they did it with much success. They were able to capture real‑time images from the air in a city that, frankly, it's hard to get to anywhere in a timely manner, and there might be a fire, but by the time you drive there, the fire is usually out. And they really revolutionized the news business. He walked into another one, had a business plan, and managed to convince the person there to hand him over a multimillion‑dollar helicopter that he had no money for, and from there, they started covering news in Los Angeles in a way that nobody else was doing. My dad walked into a helicopter company and said, "Please let me lease a helicopter," and they said, "Do you have any cash?" and he said no.
#Oj simpson chopper 2 series
This is just one way the two series bring out depths in each other.And from there, they created together this company called "Los Angeles News Service" from nothing again. It may be a true insight or it may be calculated it’s never certain if the real O. You tend to think that you’re immune to something.” “You find yourself protecting your place in society. Late in the documentary, he gives a speech to a black audience after his trial, about his relationship to that community: “What I’ve done is something that’s happened with a lot of black men in America,” he says. Here, he’s complex, self-serving, self-deceiving and occasionally self-aware. plays as a volatile question mark in the mini-series. courtroom.Īnd there’s plenty of personal insight in “Made in America.” It fleshes out Mr. Cochran and Christopher Darden, for instance, or showing us how loaded the phrase “Simi Valley” is in a Downtown L.A.
J.” makes the social context dramatic, capturing the intraracial dynamics between Mr. Nor are the lines between the two series absolute.
One of these ways of telling the story - personal history versus social history - is not superior to the other. Now, it says, you’re ready to hear about the trial. and America finally could not get past, that jurors carried into sequestration. Here’s what the L.A.P.D., its abuses and its fraught racial history, meant if you were black in that city. And then forward to the Watts riots in 1965.
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as their best chance for a life free of discrimination. Let’s go back, it says, way back, to the migration of African-Americans from the South, who saw L.A. It pulls up close, sits you down at the conference tables and inside the Bronco, lets you measure the characters’ frailties and feel their sweat.
#Oj simpson chopper 2 trial
Its trial is a drama of people, won and lost by their ingenuity, vanity and hubris. Clark (Sarah Paulson) as overmatched single mother beaten up by the tabloids, Robert Kardashian (David Schwimmer) eaten up by conflict and doubt. J.” gives us a version of the trial that is not bigger than Ms. It wants its protagonists to steer the ship, not to be carried by the current.
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With a few exceptions - “The Wire,” notably - TV drama resists the idea that characters’ outcomes are fated, as in Greek tragedy, by larger powers. Television drama favors the first approach. In the other, greater forces spanning millions of people and hundreds of years lead to a particular moment. In one version, these events happened because these people with these characteristics made these choices. The two series embody two ways of seeing history, personal versus social, micro versus macro.
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